Tari WALIJAMALIHA BANTEN. Tari Merak Tari Tradisional Jawa Barat Tari Bandrong ing Cilegon dari Provinsi Banten (Short Version) ⏬Budaya tari yang. Tari Merak ini berasal dari Jawa Barat, lebih tepatnya berada di Daerah Pasundan. Pada tahun 1950-an ada seorang koreografer dari Jawa Barat, yaitu Raden Tjetjep Soemantri. Beliau menciptakan sebuah gerakan-gerakan tari yang dinamakan sebagai tari merak.
Sebagai bentuk ekspresi, tari sebenarnya sudah ada sejak lama, menyatu dalam keseharian hidup masyarakat nusantara. Menurut catatan sejarah, tarian nusantara sudah ada sejak abad ke-6 Masehi, ketika kehidupan masyarakat nusantara masih primitif.
Tarian nusantara kemudian berkembang karena masuknya agama Hindu, Buddha, dan Islam. Di Jawa, perkembangan t ari berpusat d i keraton.
Tari-tari Jawa klasik t ercipta untuk keperluan upacara atau ritual tertentu. Tari Bedhoyo Ketawang misalnya, hanya digelar saat pelantikan raja atau. Provinsi DI Aceh / Nanggro Aceh Darussalam / NAD Tari Tradisional: Tari Seudati, Tari Saman Meuseukat 2. Provinsi Sumatera Utara / Sumut Tari Tradisional: Tari Serampang Dua Belas, Tari Tor-tor 3.
Provinsi Sumatera Barat / Sumbar Tari Tradisional: Tari Piring, Tari payung 4. Provinsi Riau Tari Tradisional: Tari Tanduk, Tari Joged Lambak 5. Provinsi Jambi Tari Tradisional: Tari Sekapur Sirih, Tari Selampit Delapan 6. Provinsi Sumatera Selatan / Sumsel Tari Tradisional: Tari Tanggai, Tari Putri Bekhusek 7. Provinsi Lampung Tari Tradisional: Tari Jangget, Tari Melinting 8. Provinsi Bengkulu Tari Tradisional: Tari Andun, Tari Bidadei Teminang 9.
Provinsi DKI Jakarta Tari Tradisional: Tari Topeng, Tari Yapong 10. Provinsi Jawa Barat / Jabar Tari Tradisional: Tari Topeng Kuncaran, Tari Merak 11. Provinsi Jawa Tengah / Jateng Tari Tradisional: Tari Serimpi, Tari bambangan Cakil 12.
Provinsi DI Yogyakarta / Jogja / Jogjakarta Tari Tradisional: Tari Serimpi Sangupati, Tari Bedaya 13. Provinsi Jawa Timur / Jatim Tari Tradisional: Tari Remong, Tari Reog Ponorogo 14. Provinsi Bali Tari Tradisional: Tari Legong, Tari Kecak 15. Provinsi Nusa Tenggara Barat / NTB Tari Tradisional: Tari Mpaa Lenggo, Tari Batunganga 16.
Provinsi Nusa Tenggara Timur / NTT Tari Tradisional: Tari Perang, Tari Gareng Lameng 17. Provinsi Kalimantan Barat / Kalbar Tari Tradisional: Tari Monong, Tari Zapin Tembung 18. Provinsi Kalimantan Tengah / Kalteng Tari Tradisional: Tari Balean Dadas, Tari Tambun & Bungai 19. Provinsi Kalimantan Selatan / Kalsel Tari Tradisional: Tari Baksa Kembang, Tari Radap Rahayu 20.
Provinsi Kalimantan Timur / Kaltim Tari Tradisional: Tari Perang, Tari Gong 21. Provinsi Sulawesi Utara / Sulut Tari Tradisional: Tari Maengkat, Tari Polo-palo 22. Provinsi Sulawesi Tengah / Sulteng Tari Tradisional: Tari Lumense, Tari Pule Cinde 23. Provinsi Sulawesi Tenggara / Sultra Tari Tradisional: Tari Dinggu, Tari Balumpa 24. Provinsi Sulawesi Selatan / Sulsel Tari Tradisional: Tari Bosara, Tari Kipas 25. Provinsi Maluku Tari Tradisional: Tari Lenso, Tari Cakalele 26. Provinsi Irian Jaya / Papua Tari Tradisional: Tari Musyoh, Tari Selamat datang 27.
Provinsi Timor-Timur / Timtim Tari Tradisional: Tari Wira, Tari Suru Boek. At first the art was created for the common / bersama.karya-owned artwork left on the pre-historic cave digua-maker never showed identity. Similarly, the relics of the past such as buildings or artifacts in ancient Egyptian, Byzantine, Roman, India, or even in Indonesia itself. Kalupun ever there was a particular explanation only in such artifacts explanation stating the object / building created for anyone '. It was only on the following days, he said the experts sich arkiologi I do not know for sure.
We can conclude on the pre-modern art is not art beraspek individulistis. UNDERSTANDING THE ARTS DANCE The key ingredients in the most basic dance movements of the human body is completely separated from the element of space and time, and energy. Dance is a beautiful expression of the human soul that is expressed in the form of gestures are refined through aesthetics. Some experts dance through simulations below some figures who studied dance stated as follows.
Haukin states that dance is an expression of the human soul is transformed by imagination and given form through the medium of motion so as to form a symbolic motion, and as an expression of the creator (Haukins: 1990, 2). Indirectly here Haukin emphasize that dance expression of the soul into something born of the media said that disguised. The key ingredients in the most basic dance movements of the human body is completely separated from the element of space and time, and energy. Dance is a beautiful expression of the human soul that is expressed in the form of gestures are refined through aesthetics.
Some experts dance through simulations below some figures who studied dance stated as follows. Haukin states that dance is an expression of the human soul is transformed by imagination and given form through the medium of motion so as to form a symbolic motion, and as an expression of the creator (Haukins: 1990, 2).
Indirectly here Haukin emphasize that the spirit of dance expression into something that was born through a camouflaged media said. On the other hand added by La Mery that shaped symbolic expressions in the form of higher must be internalized. To be a real form of dance that emphasizes Suryo subjective expressions given in the form of objective (Meri: 1987, 12). In an effort to reflect the two figures dancing in line.
Kesejalanan developed related to the concept of dance is still much debated. It has not yet proved itself the complete understanding of dance developed in the community.
The growth rate giving dance style culture that is more varied, dynamic, and very diverse intensity pendalamannya. Therefore, in the next few years the dance has become the expected aura dug continuously. In the following developments, delivered by Soedarsono dance that dance is an expression of the human soul which is converted through the beautiful rhythmic motion. In line with the opinion of the previous two figures in this book, in principle, the problem is still the soul expression of a fixed price that is not negotiable. A statement that fundamental expression of the human spirit to be one of the key dance a part of life that might be to the future has always been tumpuhan development. In the same context Soeryodiningrat still give color dance repertoire that he emphasizes the rhythmic gestures. It's like that dance is motion terpetik limbs are aligned with the sound of music or gamelan governed by the rhythm according to the purpose of dance (Soeryodiningrat: 1986, 21).
Furthermore CurtSach added that the dance is a rhythmic motion (CurtSach: 1978, 4). Often we see dance in events either through the medium of television (TV), as well as various other activities such as special events such as dance performances, events packet spectacle held for example by Taman Mini Indonesia Indah (TMII), packet event held by Ancol Art Market, and the spectacle of the event and the state kegaiatan events relating to religion, marriage or any other party relating to customs. Dance is one of the branches of art, wherein said media used is the body. Dance received great attention in the community. Dance is like the language of the motion is a means of human expression as a universal communication medium and can be enjoyed by anyone, at anytime. As a means of communication, dance has an important role in people's lives. At various dance events can function according to its interests.
Society needs dance not only as aesthetic satisfaction, but also necessary as a means of religious and customary rites. When listened to in particular, makes a person tick untu dance to the rhythm of dance, dance, and performance capabilities, and a general willingness to be clear. Dance gives a sense of appreciation, empathy, sympathy, and satisfaction, especially for the supporters.
Dance is an appearance on the reality gestures, therefore the body as the media says a very important role for the dance. Gestures can dinkmati as part of the body language of communication. With that body of work is the language of dance to get the meaning of the motion. Dance is one branch of art that received great attention in the community.
Like the language of the motion, it became a tool of human expression in art. As a means of universal communication media, dance, put yourself in a position that can be enjoyed by anyone, anytime. Dance very important role in human life. Various events in the human life memnfaatkan dance procession in support of appropriate interests. Society need not only as aesthetic satisfaction, but also for the purposes of the rituals and customs.
In this context, some of the elements of dance movements looked includes movement, rhythm, and musical sounds, and other supporting elements. John Martin in The Modern Dance, stating that, as the experience of dance is the movement of the beginning of human life. Dance into shape the experience of the earliest motion for human life. Media said the dance form wants / desires shaped motion either spontaneously reflection, communication expression of words and motions meaningful and body language / gestures.
Can translate the meaning expressed by the audience pulse or heartbeat body. Pulse movements allow the dancer's body expressing the intent or purpose of the dance. The main element in the form of body movement that is supported by many elements, fused-solid in performance that can directly watch or enjoy performances on stage. Thus for a clear picture meperoleh dance clearly. As quoted by M. Jazuli in (Soeryobrongto: 1987, 12-34) argued that the movements of the body which is in harmony with the sound of dance music. The rhythm of the music as an accompanist can be used to express intent and purpose is to be conveyed through the dancers dance creator (Jazuli, 1994:44).
Basically the rhythmic gestures or beritmeritme has the potential to be the movement of dance. One branch of the art of dance in which study the movement as a source of study is the dance. In everyday life, people are always moving.
Motion to do with the move (Locomotive Movement). Instead, the movement in the motion called on the spot (Stationary Movement). Another thing that is also conveyed by Hawkins, dance is an expression of human feelings are transformed into the imagination of the media in the form of a symbolic motion so the motion is as an expression of the creator (Hawkins, 1990:2).
Based on these opinions can be summarized that, understanding the basic elements of dance is movement expressions or expressions in the form of feelings corresponding rhythm coherence. On the other hand Sussanne K Langer said the dance is beautiful movements of human expression. Movement can be enjoyed through the sense of rhythm in a certain appreciation. If the two opinions above are combined, the rhythmic movement of dance as a beautiful statement containing rhythm. Thus, dance is an expression of desire born periodically mobilized as an expression of the idea of communication and ideas that constitute choreographer. Both experts agree upon, Corry Hamstrong stated that, given the dance is a form of motion in space. On the other hand Suryodiningrat an expert Javanese dance in his Annals Lan Mekaring Djoged Djawi adds, dance is a movement of the whole body in harmony with the rhythm of the music (gamelan) governed by the rhythm to suit a particular purpose.
Soedarsono states that dance as an expression of the human soul diaungkapkan with rhythmic movements are beautiful. Thus, a thorough understanding of dance is a wonderful human gestures accompanied by rhythmic music that has a purpose. Thus it can be accumulated that dance is movements of the whole body in harmony with the music, arranged by rhythm in accordance with the intent and purpose in the dance. On the other hand also means that the dance is the insistence of human feeling in him to seek expressions of some rhythmic motion. Dance may also be regarded as an expression of human feelings altered expression of imagination created by the media so that it becomes a form of motion as a symbolic expression of choreographed movement. As latihanlatihan form, dance is used to develop motion sensitivity, feeling, and rhythm somebody.
Therefore, the dance can refine the study of human character. To gain a deeper understanding of dance, it needs information about the elements of dance, dance aspect, and supporters of dance through media sources in the form of photographs, VCD / DVD and other media. Various Dance Indonesia 1.
Dance Gantar Dance depicting the movement of people to grow rice. Sticks describe pounder while bamboo and wood grain rice seed and therein describe the container.
This dance is quite famous and is often served in welcoming guests and events lainnya.Tari is not only known by the Dayak tribe Tunjung but also known by the Dayak tribe Benuaq. This dance can be divided in three versions namely dance Gantar Rayatn, Gantar Busai and Gantar ecstatic / Gantar Kusak. Papatai Kancet Dance / Dance War This dance tells about a Dayak Kenyah hero fighting against enemies.
The movement of this dance is very lively, agile, energetic and sometimes followed by shrieks of the dancers. In Kancet Pepatay dance, dancers use traditional clothing of Dayak Kenyah equipped with armaments such as saber, shield and armor. This dance is accompanied with song Sak Paku and use only Sampe. Dance Kancet Ledo 3. Kancet Ledo Dance / Dance Gong If Dance Kancet Pepatay describe masculinity and virility Dayak Kenyah, otherwise Dance Kancet Ledo describe gentleness of a girl like a rice gently undulating blown by the wind.
This dance is performed by a woman dressed in traditional Dayak Kenyah and on both hands holding a series of tail feathers Hornbill bird. This dance is usually danced on a gong, so Kancet Ledo Dance also called Gong. Dance Kancet Lasan Describing everyday life Hornbill bird, bird Dayak Kenyah honored by being perceived as a sign of greatness and heroism. Kancet Lasan Dance is a dance single ladies Dayak Kenyah the same motion and position as Dance Kancet Ledo, but the dancers do not use the gong and Hornbill bird feathers and also the many dancers use humble position and squat or sit with knees touching the floor. This dance is more on Hornbill bird movements while flying and perched perched on a tree branch.
5.Tari Leleng The dance tells the story of a girl named Utan Along to be forcibly married by her parents with a young man she did not love. Utan Along fled into the woods. Dance girl Dayak Kenyah is danced to the accompaniment of singing songs Leleng. Dance Hudoq 6. Dance Hudoq This dance is performed by using a wooden mask that resembles a wild animal and using banana leaves or coconut leaves as cover the dancer's body. This dance is closely connected with the ritual of Dayak tribes and Modang Bahau.
Dance Hudoq intended to gain strength in overcoming the destructive pests of crops and fertility expect given the crop much. Hudoq We Dance ' Dance of Dayak Kenyah is in principle the same as the dance of the Dayak tribe Hudoq Bahau and Modang, ie for a ceremony welcoming the year of planting and to express our heartfelt gratitude to the gods who had given a good harvest. A striking difference anatara Hudoq We Dance 'and Dance Hudoq for costumes, masks, dance movements and musical accompaniment. Dancer costume Hudoq We 'use of long sleeves and wear regular cloth sarong, while the human face shaped mask that many decorated with carvings typical Dayak Kenyah.
There are two types of masks in dance Hudoq We ', which is made of wood and in the form of a veil made of beads with Dayak ornaments Kenyah. Dance Serumpai Benuaq tribal dance is done to resist disease and treat people bitten by a rabid dog. Called Serumpai dance because dance musical accompaniment Serumpai (a type of bamboo flute).
Dance Belian Bawo 9. Dance Belian Bawo Belian Bawo ceremony aims to resist disease, treating the sick, be fulfilled and so forth. Once converted to dance, dance is often served on special occasions reception and other art events. This dance is a dance of the Dayak tribe Benuaq. Dance Kuyang A dance of the Dayak tribe Benuaq Belian to expel the demons that keep large trees and tall so as not to disturb people or people who cut down the tree. Dance Pecuk Kina This dance describes the displacement Dayak Kenyah the move from the Apo Kayan (Kab.
Bulungan) to the Long Segar (Kab. Kutai Barat) that takes many years. Datun Dance This dance is a dance with a girl Dayak Kenyah with an uncertain amount, maybe 10 to 20 people. According to history, dance together was created by a tribal chief in the Apo Kayan Dayak Kenyah named Nyik Selung, as a sign of gratitude and joy at the birth of a grandson. Then the dance is evolving into all areas Dayak Kenyah. Dance Ngerangkau Dance dance Ngerangkau is customary in the case of death of the Dayak tribe Tunjung and Benuaq. This dance uses the tools of rice pounder dibentur-knock regularly in horizontal position, causing a certain rhythm.
Baraga Dance 'Bagantar Originally Baraga 'ceremony Bagantar purchase is to treat infants with seeking assistance from Nayun Gantar. Now the ceremony has been composed into a dance by Dayak tribe Benuaq.
Pengertian seni tari Seni tari adalah gerakan terangkai yang berirama sebagai ungkapan jiwa atau ekspresi manusia yang di dalamnya terdapat unsur keindahan wiraga atau tubuh, wirama atau irama, wirasa atau penghayatan, dan wirupa atau wujud. Tari adalah gerak dari seluruh anggota badan yang selaras dengan bunyi musik atau gamelan, diatur oleh irama yang sesuai dengan maksud dan tujuan dalam menari. Dapat ditarik kesimpulan bahwa substansi atau bahan baku tari adalah gerak; gerak yang terangkai sehingga memuat ritme dan waktu di dalam ruang. Dapat diartikan bahwa seni tari adalah pengungkapan lewat gerak yang distilir atau digayakan dan berkesinambungan yang di dalamnya terdapat unsur keindahan.
![Tarian jawa barat Tarian jawa barat](/uploads/1/2/5/6/125614317/517049529.jpg)
Seni tari memiliki empat unsur keindahan, yaitu: wiraga, wirama, wirasa, dan wirupa. Keempat unsur seni tersebut merupakan satu ikatan yang membentuk harmoni. Wiraga adalah raga atau tubuh, yaitu gerak kaki sampai kepala, merupakan media pokok gerak tari. Gerak tari dirangkai dan digayakan sesuai dengan bentuk yang tepat. Misalnya seberapa jauh badan merendah, tangan merentang, kaki diangkat atau ditekuk, dan sebagainya. Wirama adalah ritme atau tempo atau seberapa lamanya rangkaian gerak ditarikan serta ketepatan perpindahan gerak selaras dengan jatuhnya irama.
Irama ini biasanya dari alat musik ritmis yang mengiringi, seperti gong, gendang, tifa, rebana, dan lain-lain. Wirasa adalah perasaan yang diekspresikan lewat raut muka dan gerak. Keseluruhan gerak tersebut harus dapat menjelaskan jiwa dan emosi tarian. Seperti sedih, gembira, tegas, atau marah. Wirupa adalah rupa atau wujud, memberi kejelasan gerak tari yang diperagakan melalui warna, busana, dan rias yang disesuaikan dengan peranannya.Seni tari banyak jenisnya dan berasal dari berbagai daerah, salah satu jenis seni tari yaitu tari merak yang berasal dari Jawa Barat. Pengertian tari merak Tari Merak merupakan tarian kreasi baru dari daerah Pasundan, Jawa Barat. Tarian ini diciptakan oleh Raden Tjetjep Somantri, seorang koreografer tari Sunda pada tahun 1950-an.
![Musik Pengiring Tari Merak Jawa Barat Musik Pengiring Tari Merak Jawa Barat](/uploads/1/2/5/6/125614317/208875920.jpg)
Pada tahun 1965, tarian ini kembali diperkenalkan dengan kreasi gerak baru oleh Irawati Urban, seorang wanita pecinta seni tari yang berasal dari daerah Bandung, Jawa Barat. Di daerah Pasundan, tari Merak seringkali dimainkan ketika menyambut kedatangan tamu kehormatan dalam sebuah acara. Dalam sebuah pesta pernikahan adat Sunda, Tari Merak seringkali menjadi tari menyambut kehadiran pengantin lelaki yang hendak berjalan menuju pelaminan.
Dalam sebuah pertunjukan, tari Merak umumnya dimainkan oleh seorang atau beberapa orang penari wanita. Ketika pertunjukan, mereka mengenakan kostum yang penuh warna, seperti merah, kuning, serta hijau. Konon, warna itu menggambarkan pesona warna dari burung merak.
Untuk menambah kesan menarik, mereka juga mengenakan selendang yang warnanya senada dengan kostum penari. Selendang itu terikat pada pinggang penari Merak. Ketika dibentangkan, selendang itu tampak seperti sepasang sayap dari seekor burung Merak. Tak pernah terlewatkan, penari Merak juga menggunakan mahkota yang berhiaskan replika kepala burung merak. Dengan diiringi seperangkat alat musik gamelan Sunda, pertunjukan tari Merak dimulai.
Gerakan lemah gemulai dari sang penari Merak menjadi ciri khas tersendiri dari pertunjukan tari Merak. Sesekali, mereka menampilkan gerakan layaknya seekor burung yang sedang melompat. Gerakan tari Merak semakin terkesan mempesona ketika penari Merak menari sambil membentang sepasang sayap yang penuh warna.
Dari awal hingga pertunjukan itu usai, penari Merak memainkan gerak yang menggambarkan keanggunan, keindahan serta kelincahan seekor burung Merak. Menurut ceritanya, keseluruhan gerak dalam pertunjukan tari Merak ini menggambarkan seekor merak jantan yang berusaha menarik hati sang merak betina.